Costume & Clothing
Parade
Kent State University
Director: Fabio Palanco
Designer: Kelley Shepard
Dance '19
Kent State University
Designer: Libby O'Hara
Hunchback of Seville
Director: Courtney Brown
Designer: Michelle Souza
Men's Vest
Class: Costume Construction
Instructor: Grace Keenan
8 - Hour Corset
Class: Costume Construction
Instructor: Greece Cochran Keenan
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This project is a Corset with a metal busk! Completion is roughly 8-hours
This project is a Corset with a metal busk! Completion is roughly 8-hours
Finished Period Bodice with gathered sleeves and Bertha collar. (Pattern belongs to Grace Keenan)
Flatlining Technique using a bucket. This technique makes it so the two pieces of fabric work and move as one.
Finishing the back of the Bodice by hand stitching.
Finished Period Bodice with gathered sleeves and Bertha collar. (Pattern belongs to Grace Keenan)
1850's Period Bodice
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Class: Basic Costume Construction
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Instructor: Grace Cochran Keenan
Costume Design
Instructor: Grace Cochran Keenan
This outfit was designed for the main dancer in a choreographed piece by Barbara Verlezza called 'Broken Voices' danced to the music of 'Hallelujah'. This costume is meant to represent the pull between the light and dark voices and the eventually freedom portrayed in the piece.
These outfits were designed for the chorus in a choreographed piece by Barbara Verlezza called 'Broken Voices' danced to the music of 'Hallelujah'. This is an initial sketch of the chorus not the final rendering. The chorus and their outfits were meant to physically portray the light and dark voices inside the main dancers head.
Costume Design for Act 1 Scene 1 of The Heiress.
This outfit was designed for the main dancer in a choreographed piece by Barbara Verlezza called 'Broken Voices' danced to the music of 'Hallelujah'. This costume is meant to represent the pull between the light and dark voices and the eventually freedom portrayed in the piece.